![]() Though you can get many pristine, soaring, and seemingly infinite reverb tones from Blackhole, its most appealing attribute might be its ability to generate organic, cloudy, diffuse, and complex ambience. You can also save and recall five presets via a sequence of footswitch and push-button maneuvers, though as many as 127 presets are available via midi. Other practical features include a freeze footswitch, stereo output capabilities, and a guitar/line level switch. Others, like “Gravity" (which regulates the level of reverse reverb) and “Q" (which controls the resonance of frequencies emphasized with the EQ ), are less-common reverb functions, but shape the reverb color profoundly. Each knob has two functions, and secondary functions are accessed via a small, LED-illuminated push button at the upper right of the pedal. But it's still very powerful, and its features have been distilled to a functional, practical group that facilitates intuitive, creative experimentation, reveals tremendous textural range, and is easy and super fun to use.Īny player that has messed with the Space-or Eventide's other larger-form stomps-will recognize the basic functionality of the Blackhole's control set. Thanks to a well-conceived control interface, Blackhole isn't much more complicated than, say, a Boss pedal. What is striking is how functionally streamlined the Blackhole is compared to the Space and H9 processors that are also home to Blackhole-mode sounds. So the fact that Eventide elected to give the Blackhole a dedicated stompbox of its own is no surprise. Later, out in the wider world, I started running into engineers that were using the Blackhole mode in the studio and even in live settings to add ambience to mixes. I was happy that the Blackhole settings sounded fantastically, cosmically expansive without relying on some of the more overt “shimmer" tricks that can be a big-reverb cliché. ![]() But I also distinctly remember spending more time in the Blackhole mode than any other. Reviewing Eventide's Space reverb back in 2011, I was impressed with how many shades of ambience had been stuffed into one box. ![]()
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